PREPARATION(S) FOR A DINNER 2025-2026

May 10, 2026 in selected projects

Residency and intervention at the ICA San José, November-December 2025. The space is transformed into an evolving site of studying domestic labor and practicing anticipation. Part of the ongoing Revolution is a Dinner Party series, the installation remains in a state of flux, guided by an absent hostess who communicates through manuals and announcements. Visitors encounter changing scenarios and instructions, announced by audio and posters where simple acts of setting a table or preparing a meal are reframed as political and emotional gestures.

Installation, print, textile, audio, found objects, performance, social practice.

[ full project PDF ]

REVOLUTION IS A DINNER PARTY

May 03, 2026 in selected projects

Solo exhibition at the Palo Alto Art Center, Glass Gallery, May- August 2024. The domestic sphere is reclaimed as a site of political and social inquiry. By centering the table as a stage for both intimacy and diplomacy, the project bridges the personal and the political through site-specific installation and community programming. Drawing on the contrasting legacies of the mythological Circe and the historical Eleanor Roosevelt, the work uses the language of hosting to navigate the complexities of identity, memory and displacement. Through salvaged ceramics, archival fragments, and participatory sessions, the exhibition examines how everyday rituals, acts of gathering and sharing, can serve as catalysts for social connection.

Site-specific installation, salvaged ceramics, archival materials, textiles, performance, and participatory events.

press release & curatorial text

THE WARDROBE ARCHIVES

April 27, 2026 in public art and community

The Wardrobe Archives 2019, is a collection of objects and records contributed by women as part of Five Domestic Acts, staged within a residential home. Each participant filled a standard box with items representing their interpretation of womanhood and domesticity, including ephemeral lists, confessional texts, personal letters, and objects of personal significance.

The archive is activated through an improvisational dance performance where the performer navigates the home to express the conflicting emotions inherent in the role of the female carer. By interrogating the domestic setting and these personal collections, the performance transforms the residential space and the wardrobe in particular, into a site of research and an inquiry into invisible labor and memory.

Performance by Heather Arnett (Kristin Damrow & Company). Full list of contributors available in the project documentation.

Site-specific installation, boxes, print, found objects, improv dance

FIVE DOMESTIC ACTS

April 26, 2026 in selected projects

Five Domestic Acts, May 2019. A private residential home is turned into a site-specific study on womanhood and domesticity. An immersive project that unfolds across five distinct interventions, guiding the audience through installation, video, sound, and performance. By reimagining the house as an active emotional landscape, the work blurs the line between inhabitant and observer, private and public.

The project is structured in five parts, focusing on three core acts: The Yellow Wallpaper (durational performance), The Wardrobe Archives (social practice and improv dance), and The Kitchen Diaries, a final act with food preparation and dinner gathering.

Credits:
Performances: Victoria Dombroski and Heather Arnett from KristinDamrow&Company, Jennifer Lee, Lauren Daniluk
Production: Lauren Daniluk
Hosting: Christine Eggy Rose
Culinary: Karen Chae, Nelly Capra
Photography: Kathy LaBarre

Site-specific immersive installation, social practice, performance, textiles, prints, found objects, audio, food.

THE YELLOW WALLPAPER

April 26, 2026 in selected projects

Referencing Charlotte Perkins Gilman’s 1892 short story, this durational performance takes place within a private residence and explores historical societal norms surrounding women’s mental health. As an audio reading of the text plays, a performer physically erases words from book pages that have been applied as wallpaper, leaving behind fragments that reveal 19th-century attitudes toward female isolation and controversial treatments. In dialogue with this erasure, a dancer performs a series of movements imagining an alternative fate; one of autonomy and escape.

Performances by Jennifer Lee and Victoria Dombroski.

Site-specific installation, mural wallpaper, performance.

THE CUBBERLEY PROJECT

March 27, 2026 in public art and community

The Cubberley Project uses field research methodologies to compose oral histories, collect objects and document experiences in order to make visible the invisible social fabric of an urban community center. Selected by the City of Palo Alto Public Art Program and awarded the Oakland Stock grant by public vote, the project activated the Cubberley Community Center in Palo Alto.

The collected audio interviews and visual documentation compose a series of site-specific installations that include oversized murals and audio. Every element, from the voices and projects to the captured objects and spaces is sourced directly from the campus. A centerpiece of the installation, The Flower Wall, is a 39-foot mural featuring the Avenidas Bloom women volunteers, who recycle donated flowers and turn them into bouquets distributed to the community. Audio interviews and text by Jennifer Lee.

project info
press link

TEXTILES

March 25, 2026 in media archive

Selected works on fabric. Archival pigment print, embroidery, acrylics, and fabric paint on linen, cotton, and canvas. Unique and limited edition pieces (10 + 1 AP) including table linen, napkins, aprons, dresses, blankets, and tapestries.

WORKS ON PAPER

March 25, 2026 in media archive

Selected works on paper. Archival pigment print, acrylics, pastels, oil, and fabric paint on mulberry, cotton rag and museum paper. Unique and limited edition pieces (10 + 1 AP)

THE GOLDEN HOMES

December 01, 2025 in selected projects

June- August 2019. A series of photo-based and on-site improvisational performances that explore home, memory, and loss. The work centers on a specific typology of Athenian property: homes in neighborhoods transformed by migration, shifting social patterns, and the aftermath of the Greek economic crisis. Many of these structures are in the process of been repurposed by foreign investment into transient, short-term housing.

The rapid change of ownership and functional status erases a big part of the domestic and cultural identity of these homes but also creates a new ambiguous reality and an anticipated new life. Repositioning the female homemaker and hostess in homes at this transitional stage, is an act of inhabiting a fictional, interim state where the meaning of home is imagined and revisited as a memory. Performance by @AtHenaS

athenian golden room 1-martha sakellariou 2019.jpg

Improv performance, photography, textile

PLAT DU JOUR: A CULINARY ACTION

December 01, 2025 in selected projects

Plat Du Jour: A Culinary Action, 2018. The project explores the realities of home and female identity through the rituals of food and sustenance bringing together the practices of an artist, a writer and a chef. Drawing from Charlotte Perkins Gilman’s 1903 study, The Home: Its Work and Influence, the work examines domestic dynamics through the lens of the female homemaker.

Food functions as both a medium of labor and a catalyst for social connection. The multimedia exhibition integrates performative acts and live cooking, culminating in a communal dinner.

Installation, Video, Printed material, Edibles.

Link to more

ONE HOME ONLY [ITERATIONS]

November 30, 2025 in public art and community

One Home Only [Iterations], 2021. A three-part, site-specific installation and performance series that uses the exterior of a public building as both a canvas and a stage. Created in response to the spatial and emotional constraints of pandemic sheltering mandates, the work examines the changing boundaries of domesticity through three weekly interventions. Every week presented a different intervention where a writer, two performers and a musician are invited to respond to the theme of the fragmented home.

Part I: spoken-word by Jennifer Lee
Part II: solo cello performance by Gabi Li
Part III: dance improv by Allegra Bautista and Anna Greenberg Gold with Kristin Damrow&Company

Production: Lauren Daniluk
Documentation: Steve Schecter

Funded by the Palo Alto Public Art Program and supported by the Rinconada Library.

Link to video excerpt